Work required
I worked on the first seven shots compositing the characters into the background plate.  A shallow depth of field was created on the 2d drawings by painting our own depth mattes, this involved some amount of rotoscoping and specific paint and trace instructions, the same was done with the background so we could shift the focus through out the shot.
The product shots had the spray on barrier produced in 3d using Maya, we worked closely with the 3d artist to produce matte runs and passes required to create the look the client was after.
The explosions were added after by Dave Walker who also completed the last shots and over saw the project.

This was a job completed at Uli Meyer

Work required

I was working on the post production of this advert along side David Walker.  We were compositing multi pass renders and integrating the character into the live action backgrounds, most of my completed shots are after 8 seconds.
Extra 2d displacements were added to show the feeling of displaced air.  The product pieces were 3d and had a lot of attention to get them just how the client wanted.  We worked along side the client for two days making final color tweaks and adjusting details.

This was a job completed at Beglan Brothers

Work required
I completed some of the post production on this advert.  We were shooting 4K stop motion stills and grading with the raw camera files.  Some flicker had to be removed from the shots, and also the occasional “clean up” that is required in stop motion ie rigging removed or taking away accidental blemishes.  There was also a lot of rotoscoping required, and keying to introduce the shots outside of the windows.  The shots were lit to feel like a sunny morning in post.  There is also some invisible work in the live action shots.  The kitchen did not have tiles to the very bottom so these were placed in after, as well as the daughter behind the packs being removed and the re positioning of the chalk board to be more title safe.
I also worked on one of the press stills, this involved similar compositing to the advert but more precision and more clean up of the model and his enviroment, as everything was staying at a higher pixel dimension.

Beglan Brothers website, www.beglanbros.com

This was a job completed for Mark Holland

Work required
Mark already had an idea visually as to how this was going to work, and with some stock footage edited the shots together.  I was to take his edit and mood image and produce the final piece, with Mark making final Director decisions.
The footage I was given was not shot for keying, so some rotoscoping was required and some clever keying in sections of the shots.  The original ball was removed and the red one placed in with betting odds.  Extra overlapping details were masked in to help integrate the ball better with the footballer.  This was a quick turnaround initially 2 days, there were some extra comments and changes made and all up we were done with masters in under a working week.

This was a job completed at Beanimation

Work required
3D Backgrounds where by Arkvfx.  I was involved in the compositing of the characters and color grading.  We supplied a cutdown and various other countries versions of the advert.