We start the scene with the original clean background, next the bunny is placed into position and tracked to keep him in place during the camera move. In the 3rd still the bunny has his tones applied and the photo of the tree branch is placed in, the background has been defocused at this point as it is secondary until later on in the shot. We have the 3d box placed in and the branch has been “relit”. We then see the pack is integrated better some cast shadows applied and some subtle colour bounce from the yellow pack onto the branch has been added also.

We start the shot with the clean background of the tent, next we have the animated monster he was matted into the scene using a procedural matte as the shape changed often. In the following image a lamp is placed into the scene (this was shot on green screen). Next we see the clip of the children leaving the tent, you can see the green screen was not lit well and not so much help to me. I found myself keying and treating different areas to try and achieve a matte that I was comfortable with. Unfortunately it was not really giving me the results I wanted in all areas so I dropped back to rotoscoping a lot of this shot where I felt it was necessary. It had much motion blur and feathering which I wished to keep that I was not achieving from keying. Overall though I feel the time spent produced a far more pleasing matte to extract them from the screen. We finish on the final composite.

We start the shot with a clean background. The window on the left of the door needed cleaning as it was reflecting a lighting rig. From the takes they decided to use one set for the boy and girl on the right of the frame, and a different take for the 3rd boy. The boy and girl were roughly masked out trying to include as much of there shadows as possible and placed into the scene. Next we have Quicky (the bunny) placed in with his tones, a bowl and spoon were positioned to match his animation. The clip following you can see the take that had the preferred shot of the boy on his own. I decided to use a mixture of keying techniques and rotoscoping to extract him from the shot. For example I keyed the white in the hair area and also the sides of him, where as the spoon was rotoscoped to hold a better clearer shape. I knew he would be passing over Quicky often so the matte had to be very tight. You can see the matte that was used to cut him from the shot. The boy was then placed over Quicky.  Finally a shot of the fire engine was cut out and placed in and a digital camera zoom added to complete the shot